Personal Yummy #4 (Part 1)
This past October, I traveled to my hometown in the middle of PA for its annual Fall Foliage Festival, a special event with homemade crafts, fresh cider, delicious food, and live music (look forward to more about this lovely festival in a future post). But instead of taking the Amtrak train (namely, the Pennsylvanian) back to the city from Altoona, PA, as I usually do, my mom and I drove back to the city together. She loves the city just as much as I do (we took trips here many times before I officially moved here), so she wanted to visit while the weather was still nice.
We left on a Tuesday and got up extra early to drive back, because we had tickets for a show that evening at Feinstein’s/54 Below, a supper club—known as “Broadway’s living room”—on West 54th Street between Broadway and Eighth Avenue. We became a bit delayed because when we stopped to eat breakfast at the Iron Skillet in Carlisle, PA, as we usually do on our way to the city (a couple of hours into our trip), we had to wait a bit longer than usual for our food because the burners were temporarily not working. Plus, the traffic throughout our trip was a bit heavier than we had expected for a Tuesday, especially as we approached the George Washington Bridge a few hours later (the magical outline of the city in the distance).
Nevertheless, we eventually pulled up to the curb in front of my apartment building, as far in front of the bus stop as possible, and I unloaded our luggage—and several other items that I had brought from home (unwittingly, I keep packing more and more stuff into my apartment)—placing our things in the foyer of my building, going back and forth, and back and forth, from the car to the foyer, until the car trunk was completely empty. Then, as my mom took the car and parked it in the parking garage around the corner (we really didn’t have time to look for a spot on the street), I made quite a few trips up and down the stairs in order to get all of our belongings into my fourth-floor abode. Usually I don’t have much trouble going up and down the stairs (which are quite steep), but after having been out of the city for about a week—taking a break from my usual weekly dance classes and my walking around the city—I knew that I was going to feel it in my quads later.
We got dressed quickly, my mom in nice black slacks and a colorful purple top with interesting designs, and me in a glittery black sleeveless dress, a red cardigan, and black heels and stockings. We headed downstairs, grabbed a cab, and were on our way, ready for an evening of music, elegance, good food, and quintessential New York City nightlife.
In about 10 minutes, the cab dropped us off directly in front of the entrance, which is next to the theater that used to be the Studio 54 nightclub—where Warhol and Diane von Furstenberg and many others laughed and glittered and shone—and the theater where my mom and I had seen Cabaret with Alan Cumming a few years earlier. At the bottom of the stairs that led down to the tiny room outside of the underground venue, we were greeted by about three different individuals, one of whom was a young, pretty woman with a velvety voice who offered to take our coats and check them for us. Hearing her distinctive voice, I immediately realized that she was the one who had left me a personable message the previous night, confirming my reservation, which I had thought was a really professional touch. With a seductive voice such as hers, though, I also thought that she should be on stage somewhere, instead of being a worker supporting others who are on stage. But, then again, you never know what is really going on inside of someone, especially on the inside of a New Yorker who is working in a theatrical environment. In her mind, maybe she is already on stage, but it just hasn’t materialized yet.
Another young woman then led us into the main room and to our tiny table, which was located near the right-hand side of the stage and only a few feet away from it—“ringside seating” is their term for it—a bit more expensive than some of the other seats, but a perfect spot from which to enjoy the show (although all of the seats in the club are good). We sat down and I glanced around, noticing that it wasn’t very crowded yet, although the people who were already there were chatting and enjoying glasses of wine and appetizers, obviously so happy to be out on a Tuesday evening. There was a woman enjoying a cocktail and sitting alone at the table to my left, and I couldn’t help but wonder if she had ventured out on her own for a night of entertainment, or whether she was waiting for someone.
It reminded me of the time I had seen a woman sitting alone at Birdland, the intimate jazz club on West 44th Street—her drink, her food, the atmosphere, and the performers on stage were all she needed for company for the entire evening. In fact, I have even done it myself. I once went alone to see a Bruce Springsteen cover band at the B.B. King Blues Club & Grill in Times Square. None of my friends were free to go with me that night (or maybe they just don’t have a connection to Bruce’s music like I do), so I decided to go alone. To be totally honest, there were moments when I felt a bit awkward, especially because I was seated in the middle of a long table with people who all knew each other, but it was an amazing evening regardless. And, when it comes down to it, there is surely something beautiful about being able to experience what you want on your own, and despite what everyone else is doing.
More beautiful—without a doubt—is being out on the town with your mom at a beautiful place in New York City, and it was certainly beautiful and intimate inside Feinstein’s/54 Below, with its dark wood and tiny lamps and cushy leather booths and soft red lighting and walls, and a classy, fancy bar lined with comfortable chairs, nestled up a few steps in the back, behind an elegant railing.
In no time at all, a very friendly, soft-spoken waiter took our drink order, and I requested a glass of buttery Chardonnay. My mom wasn’t yet sure what she wanted (she’s not a big drinker), so she ordered a glass of water for the time being, but she couldn’t stop admiring the cocktail that the woman at the next table was drinking. No longer alone, but now joined by what seemed to be her daughter, her husband, and a good female friend, I eventually tapped her on the shoulder and asked her what she was drinking, per my mom’s request. “Oh, it’s the specialty tequila drink,” she said, pointing it out on the menu. “It’s delicious. I highly recommend it.” The drink was definitely attractive: pinkish-colored liquid (from the muddled gooseberries, I believe) with slices of jalapeño in a rocks glass with a pinkish salt (or sugar) outlined rim. However, after a lot more admiration and a bit of thought, my mom still wasn’t sure if she should order something that strong, so she decided upon a less risky 7Up.
We were quite daring with our food order, nonetheless, not holding back. To start, we dined upon peekytoe crab fritters with avocado, drizzled with roasted tomato vinaigrette. They were—in one word—scrumptious; and, to add a few more: moist and crunchy and flavorful. Next, and for our main course, I decided upon pan-seared arctic char with black pepper and lemon spaetzle, baby artichokes, olive oil, and thyme roasted tomatoes, and my mom chose the farm-raised Amish chicken with buttered parsnips and sautéed dandelion greens. Oh, and I mustn’t forget to mention the large bowlful of shoestring French fries on the side. All of the food was prepared well, beautifully presented, and very pleasing. The only problem was that the show began before we had time to finish our meal, so we didn’t have a chance to order dessert. That turned out to be just fine, though, because the group of bubbly young women sitting at the table to our right and slightly behind us thoroughly took care of that for us. On top of their table sat the key lime pie with brown sugar gelato and whipped cream, as well as the affogato al caffè—or, in other words, the vanilla gelato with a single espresso shot and a waffle cookie crisp. They each had a delicate spoon and were taking turns scooping up and enjoying the lusciousness in front of them.
The show itself—the highlight of the evening, for sure—featured Kate Baldwin, a pretty, blue-eyed, sassy (in the best sense of the word) performer who is a two-time Tony nominee and who appeared in the Hello, Dolly! revival with both Bernadette Peters and Bette Midler. She exuberantly came out onto the stage wearing glittery, gold, stretchy pants and a glittery gold jacket with a black chemise underneath, as well as impossibly high gold stilettos—certainly an indication of the fierce boldness she has exhibited in her life. To be honest, I wasn’t familiar with her or her career before I decided to go to her show, entitled How Did You Get This Number?, nor was I familiar with many of the songs she sang throughout the evening, chosen from the various shows that she has been in over the years, but sitting there and watching her and admiring her and hearing her stories of auditioning, striving, and performing, intertwined with her beautiful singing voice, her humor, and her confident stage presence, was just what I needed.
At the end of the show, Ms. Baldwin graced us all by singing “New York, New York.” That song always fills me with hope and inspiration, but it was even better experiencing it in such a romantic setting, and it was the perfect way to end a perfect evening shared with my mom.
As she and I were paying our bill and collecting our things to get ready to go, I took another look around, trying to take in more of the place before we had to actually leave (they needed to set up for a later show and another performer). As I did so, though, I couldn’t help but notice tears running down the face of one of the young women who had been relishing the desserts earlier at the table nearby. Obviously, she had been very affected by the show, especially the final song.
I knew exactly how she felt. Essentially, I had felt myself getting choked up quite a few times while Ms. Baldwin was singing and telling her stories. But that’s just an inevitable outcome for me whenever I see a performer on stage, living her life to the extreme—being courageous, being vulnerable, putting herself out there, sharing her talent and years of hidden, hard work with others—as we all should really be doing but, in too many cases, aren’t, and for reasons that we think really matter but, in all actuality, really don’t.
Sure, I held back my tears during the show, but the young woman nearby couldn’t. And that’s certainly okay, and—in all sincerity—probably the better outcome in this instance. Because, no matter how many times you hear it, “New York, New York” doesn’t let you forget about the endless possibilities. And what better way to honor those countless possibilities than with tears, the ultimate and endless representation of emotion.